The intention is to provoke other ways of seeing a selection of films that are more related to video art and that dialogue with each other by presenting non linear and sequential narratives, by being contemplative or having a more fragmented narrative structure. By proposing this mode of exhibition, we seek to transform the viewer's enjoyment by calling into question the new cinemas: expanded, multiple, hybrid. As well as expanding the thinking about the limitations and potentialities of the cinematic form itself. The films of this cutout are screened for five hours, in a distinct structure of the movie theater. The architectural space is decisive for the expressive and narrative modes, allowing the circulation and mobility of the bodies, the conversation, thelook. The film's continuous exposure device is closer to museum booths, videoart, where the viewer's liberation is essential. The Booths invoke the body andgaze of the viewer who, free to navigate and participate in the investigative exploration of image discovery, can come and go as he/she pleases, buildinghis/her involvement with the work him/herself. The gaze is the body, and is inconstant motion, in an eternal stream of resinifications of spaces, shapes, narratives, allowing choices that will determine different experiences.
A Cabine Urbana exibirá filmes em sessões corridas das 14 às 19 horas no espaço da Galeria de Bolso da Casa da Cultura da América Latina.
De 08 a 11 de Outubro.